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Pornografía para piromaníacos / Wenceslao Bruciaga / 2023

I picked this book up at a Guatemalan bookstore based off the title and premise alone, and I was blown away. My interest in erotic literature started with Anais Nin earlier this year, where I was surprised that something that was ostensibly smut could have so much to say about intimacy, queerness, and relationships, veering into the unsayable aspects of human experience. I entered Pornografia para piromaniacos piqued by its inciting incident: the suicide of a gay Latinx porn actor and closeted trans woman that rattles the industry. The novel follows two characters, Pedro and Jeff, in the aftermath of this loss. Both are aging porn stars struggling to adapt to a gentrifying San Francisco, an ever-evolving queer culture, and unsatisfying relationships. 

Pedro sees himself as the breadwinner for a nonbinary trophy husband, who is also a porn actor, who manages Pedro’s social media platforms, as well as his own up-to-date queer influencer channel. Through their relationship, porn scenes, and flashbacks we learn about the traumatic origins of Pedro’s queer discovery and the dark circumstances of his migration to the United States from Mexico. Pedro lives his life in fear of cancellation, as he has seen many of his peers go down for a mix of different toxicities. His precarious economic well-being depends on his reputation, and the pressure makes him act out violently periodically throughout the novel. 

Jeff, on the other hand, is reeling from a heartbreak with a closeted baseball star. While Pedro’s excellence and hotness provides him with a sense of power and purpose, Jeff’s relationship to pornography and sexuality feels more reflexive, an escape he cannot wield with discipline. Interestingly, Jeff was raised by two lesbians who hate pornography. Jeff and his parents make faint efforts to rekindle their relationship, as Jeff’s musical stardom begins to rise. Jeff’s musical allusions flood the novel, providing several playlists worth of listening material that will dizzy anyone unfamiliar with 90s rock. I spent a lot and not enough time looking up songs and listening to the soundscape they provided. Like Pedro, Jeff also violently lashes out against those who betray him. 

The novel is full of sharp observations. Porn scenes have the bawdy, campy language of porn scenes, but manage to do more than simply convey raw masculine lust. The scenes often intersect with challenges in the actors’ personal lives, frequently include complex and/or traumatic dynamics between actors and directors, and trigger devastating and soulful flashbacks. Bruciaga manages to say something heartbreaking and ugly about masculinity through these scenes. Bruciaga conveys brutality with tenderness. 

Pornografia para piromaniacos ends with pessimistic conclusions on masculinity and its toxicities. There is something about Jeff and Pedro’s many rants in the book, however, that give me a sense of hope. If the voices of aging queers continue to be silenced or disappear as times shift and their voices become inconvenient to some, the book provides a space where the voices of some of our queer elders can be heard. They provide some well-argued critiques of contemporary queer culture, even if they as characters fall victim to their own toxicities, ultimately proving themselves wrong. 

I’m on the lookout for more erotic novels this brilliant. Sex undergirds far too much of human life to not read writing about it seriously. I would love to translate it one day… it’d be a dream.  5/5  

Soledades / Sol Quetzalli / 2024

Soledades / Sol Quetzalli / 2024

Sol Quetzalli is a Salvadoran poet and professor of literature who I traded books with in Chiquimula. Her chapbook Soledades captures grief and absence and cages it in iron bars like a haunted loro. You can find her read from the collection during Slam Quetzal here, where she took first place with a voice trembling with emotions. Her work reminds me of Cynthia Guardado at her finest, only in Spanish. The poems here grieve the death of her mother, the rampant murders, and the loss of innocence of a dystopian Salvador drenched in blood. 4 out 5 

Inventario de mis musas / Laura Ruiz / 2022

Inventario de mis musas / Laura Ruiz / 2022

These poems are written under the pressure of undocumented motherhood and you can feel it. Lines race to the edge of the page as poems burn through difficulties and desires. It feels reminiscent of America is in the Heart or sad girl poems. Standout poems like Spanglish manage to tie themselves up cleanly, but this is a messier, rawer collection that doesn’t have time for that nonsense. 3 out of 5. 

Poemas de la izquierda erotica / Ana Maria Rodas / 1973

Poemas de la izquierda erotica / Ana Maria Rodas / 1973

Poemas de la izquierda erotica is considered the beginning of feminist leftist literature in Guatemala. It's a spicy title, but even so, I think I’d be forgiven for expecting a little bit more leftist content or analysis here. The collection includes a mix of poems about erotic desire and agency, both of which are frequently frustrated by dishonesty, rejection, or other unbalanced gendered power dynamics. The poems have Yesika Salgado’s accessibility, line breaks, and flair for unflinching honesty ground through the political upheavals of the Central American armed conflicts of the Cold War. I found the poems thoroughly delightful, though would consider it a nascent feminist literature coming from an era when the bar for men was so low and the asks of women were respectively really damn low too. 4/5

Peces en mi boca / Elena Salamanca / 2011

Peces en mi boca / Elena Salamanca / 2011

I’ve been a longtime fan of Elena’s work, so I was thrilled when Marcos Valerio Reyes Cisfuentes gifted me her first book in Guatemala this summer. Peces en mi boca is an explosive series of feminist poems, exploring desire and agency in ways that are equally fiery and fun. I will forever cherish the young, feisty voice in this collection. 5/5