Viewing entries tagged
Marxism

Poemas de la izquierda erotica / Ana Maria Rodas / 1973

Poemas de la izquierda erotica / Ana Maria Rodas / 1973

Poemas de la izquierda erotica is considered the beginning of feminist leftist literature in Guatemala. It's a spicy title, but even so, I think I’d be forgiven for expecting a little bit more leftist content or analysis here. The collection includes a mix of poems about erotic desire and agency, both of which are frequently frustrated by dishonesty, rejection, or other unbalanced gendered power dynamics. The poems have Yesika Salgado’s accessibility, line breaks, and flair for unflinching honesty ground through the political upheavals of the Central American armed conflicts of the Cold War. I found the poems thoroughly delightful, though would consider it a nascent feminist literature coming from an era when the bar for men was so low and the asks of women were respectively really damn low too. 4/5

Everything for Everyone: An Oral History of the New York Commune, 2052-2072 / Eman Abdelhadi and M E O'Brien / 2023

Everything for Everyone: An Oral History of the New York Commune, 2052-2072 / Eman Abdelhadi and M E O'Brien / 2023

In Everything for Everyone, the authors take an ambitious and promising premise and fumble it. The novel frames itself as an oral history project of an era in human history where crucial aspects of capitalism finally collapse and critical advancements to communism finally occur. The subjects of the interview are selected to provide a window into how particular aspects of this new world came to be or were experienced by someone who lived them. 

As someone unread in many utopian novels, perhaps my eye is simply too critical of genre staples or a larger conversation happening. However, the conversations contained in the book irked me just as much as they managed to tickle my brain in an exciting direction. Take, for example, the interview with a scientist who worked on rehabilitating environments devastated by climate change. In the conversation, there is a mention of biotech, which refers to genetically engineered fauna and animals designed to restore balance to an ecosystem. What a lovely can of worms! What a great opportunity to explore the challenges of this Sci-Fi technology through a conversation, right? Wrong. They sidestep biotech in the interview, leaving me head-scratching about the missed opportunity and whether the authors are tempted by the idea of biotech, which to me at least feels obviously dangerous in key ways. 

At other times, Everything for Everyone just reads as naive. Take, for example, the chapter on the liberation of Palestine that centers on nonviolent action. The book was written and published before the Hamas attack on 10/7/23, so I can’t blame the authors too much, but I felt my trust in the authors dwindle repeatedly after similarly naive moves. Take, for example, the interview about birth work. In the commune, family structure dissolved and communal care arrangements for children were figured out. Technology had advanced to the point that AMAB people could carry a child, and supposedly many were rushing to experience that. While I’m sure some men would take on the burden, the starry eyed way this portion is narrated just felt silly. 

Maybe I’m a pessimist but the chapters I valued the most were the most traumatized and dark. There’s an interview with a Native American veteran who describes fighting in a nuclear war against Iran. There’s another with a survivor of a far-right Christian cult state compound. The characters and the situations felt truer. Even then though, the narratives skips through some of the most interesting parts: the veteran is so traumatized he can’t narrate coherently and the survivor of the cult is so traumatized they skip the most exciting bits of the escape. 

Everything for Everyone may be a cooler book to discuss than to read, but even so, I’m mostly just left with disappointment at how cool this book could’ve been in sturdier hands. 2.5/5. 

Custer Died For Your Sins / Vine Deloria Jr / 1969

Custer Died For Your Sins / Vine Deloria Jr / 1969

feel like this book is the Native version of Souls of Black Folk and Black Marxism, dutifully teasing out a history of indigenous resistance and spelling out elements of Native culture in a sharp and stirring voice. Chapters in, I realized Deloria was the predecessor of the gorgeous and erudite poetic sweeps taken by Tommy Orange in his novels.  The Du Bois comparison comes from Delorias's historic breakdown of the indigenous plight with attention to cultural elements like Native humor (compare this to Du Bois breakdown of the blues and spiritual tradition). The Robinson comparison comes from Deloria's critical Marxist leanings and biting humor. I deeply appreciate Custer Died for Your Sins for elucidating the relationships between Black and Native movements, including the lack of enthusiasm in some Native circles for the civil rights movement: the US government doesn't follow its own laws, so many viewed the Civil Rights Movement as a lost cause, and the sense among some indigenous folx that Black people were gonna fall into an identity trap in the Black Power movement.  Deloria includes a breakdown of native caricatures in pop culture and media that really provided context for the ways racism differed for Blacks and Natives. Deloria occasionally ventured into strange but fun arguments, such as his chapter on how white people were returning to tribalism via corporate culture, but by and large, Delorea provides a much needed history and perspective on where the Native leftist movement has been and where it needs to go.  His critiques of the Bureau of Indian Affairs effectively changed parts of the agency in the years after publication.  While not perfect, Custer Died for Your Sins did A LOT to fill in the gaps of my own miseducation.  4.5/5



Quiet Fire: A Historical Anthology of Asian American Poetry, 1892-1970 / Edited by Juliana Chang / 1996

Quiet Fire: A Historical Anthology of Asian American Poetry, 1892-1970 / Edited by Juliana Chang / 1996

I feel blessed to hold this book in my hands and to have encountered its voices, many of whom have faded from popular literary memory. Quiet Fire is a treasure trove of Asian American poets, including H. T. Tsiang (a fiery leftist poet who would’ve crushed any slam and who was imprisoned on Ellis Island), Carlos Bulosan (a Filipino, the earliest undocupoet I’m aware of), and Toye Suyemoto (a Japanese woman incarcerated in Topaz, Utah). Each of the voices rattled me with their imagery, the range and prowess of their styles. There is a whole generation, a canon here, with many poems left to explore. 5/5 



Vamos Patria a Caminar / Otto Rene Castillo / 1965

Vamos Patria a Caminar / Otto Rene Castillo / 1965

I’ve been searching for a book by Otto Rene Castillo for years, so I was thrilled when I found a copy of Vamos Patria a Caminar en La Teca during my trip to Guate. This collection is full of love and heartbreak poems, as well as patriotic, revolutionary leftist poetry. The love here blends and blurs nationalism and romantic love, a tradition familiar to anyone who has read the kundimans of the Phillipines (via Patrick Rosal esp). There’s very many 10/10 poems in this collection. Occasionally, the collection lapses into the typical snares of masculinist love poetry. The patriotic nationalism and idealism hasn’t aged well either, as the revolutionary potential of postcolonial nation-states has slowly faded into a dystopia in Africa, South Asia, and Latin America.  Still, it’s easy to see why Otto was so beloved by the revolutionary left in Central America with these passionate, pulsating poems dreaming of a better future in Guate and TLC. 4/5



Bread and Circus / Airea D. Matthews / 2023

Goddamn. Matthews has both childhood trauma and academic poetic muscles at intense levels. There’s a poem where a therapist asks the speaker to talk about a moment she didn’t regret and the speaker talks about helping her father shoot heroin once. I would completely understand it if a poet with this extreme of a memory bank to draw from spent their whole lives writing sobbing confessional poems, just trying to bear witness and heal. Matthews manages to do so much more than that. There are erasure poems of economic theory (Adam Smith and Guy Debord) that make the reader consider the ways the speaker’s womanhood, and in turn the trauma the world has given her, has been commodified and the violence therein. While some of the erasure poems aren’t mindblowing, they do an excellent job of teasing out how violent public systems create these intense personal traumas. To read Bread and Circus is to sit with someone who has extraordinary life experience AND has done an incredible amount of work to contextualize and think critically about it. 4 out of 5. 

The Communist Manifesto / Karl Marx and Friedrich Engels / 1848


The Communist Manifesto / Karl Marx and Friedrich Engels / 1848

I picked up the Penguin edition, which was front loaded with a ton of critical material that was useful to understanding the reception of the text, the history of its ideas, and Marx and Engels as figures. I skipped the last half of these essays, as I wanted to get to the legendary manifesto already, although after listening to the manifesto, I realized the essays would have served me better and proved more informative. While I can appreciate the manifesto, especially as it lays out its principles, and its biting humor about false socialisms and the bourgeoisie, a lot of its key revolutionary ideas I’ve already encountered updated in other texts. I don’t know if I’m ever going to read Das Kapital, but for now, I’m moving onto Lenin and others in my quest to better understand Marxism. 3 out of 5. 

The Souls of Black Folk / W.E.B. Du Bois / 1903

The Souls of Black Folk / W.E.B. Du Bois / 1903

I’ve read chapters of this book during my degrees and decided I had to return to read the whole thang to understand the Black Radical Tradition better. Du Bois pours his soul into every word of the text, diving between astute economic and historical truth-telling, musical criticism, and personal essays on Atlanta and the lives of everyday Black folk in the Jim Crow south. It’s all the more painful to see Du Bois’s legacy so under-talked about and misrepresented as a mere counterpoint to Booker T. Washington. It was painful to read his chapter on education, which might as well be about contemporary under-funded schools in the US. This round of reading helped really color in the picture of just how fucked the South was economically before and after the Civil War, especially during the Reconstruction period. Du Bois’s thoroughness is so earnest and unearned by this country. Amerikkka did not and does not deserve souls as beautiful as Du Bois. 5/5 

Black Marxism: The Making of the Black Radical Tradition / Cedric Robinson / 1963

Black Marxism: The Making of the Black Radical Tradition / Cedric Robinson / 1963

I have no business criticizing this book, largely because I’m out of my depth, especially when Robinson gets REAL specific about the economics of 17th century UK. An interesting paradox about the book is that its the technical language and academic discourses, when utilized, isn’t inaccessible to a lay audience; yet the range and scope of the project of the project was so expansive, it definitely demands re-reading to fully absorb Robinson’s ideas and arguments, much as Angela Davis suggested in her blurb. Because contemporary US Black scholars sometimes fail to think beyond the US, I was impressed to find such a comprehensive history of the Black Radical Tradition that included the history of the Caribbean and Latin America. There’s a chance this book doesn’t include feminist perspectives enough, as there are likely more women who figure into this tradition in ways unacknowledged herein, Sojourner Truth for example. The conversations and relationships between the international communists and Black communities, the consistent and furious revolts against slavery, his contextualizing of Du Bois and Cesaire, and many other moments re-organized my understanding of Black history in the Americas. While reading, I had the stupefying realization that other ideas familiar to me likely originated from Robinson’s masterpiece. I want to re-read this book with people smarter than me. 4.5/5